Best Overall
Adobe Audition
Adobe Audition is a powerful editing software with a customizable user interface. You can record multiple sources simultaneously, and the restoration tools ensure your recordings sound professional.
Best Value
Audacity
Audacity is free and easy to use. Further, its great selection of editing and restoration tools ensure your audio projects sound professional on any platform.
Best for Beginners
Acoustica Standard Edition
Acoustica Standard Edition has an easy-to-use interface and supports multitrack editing. Also, it includes an impressive set of restoration tools.
Best Overall
Adobe Audition is one of the most user-friendly audio editing programs available. You can customize the layout to accommodate your workflow, and the software has all the best tools for editing and finalizing any audio project.
This is one of the few programs we reviewed that allow you to record multiple sources simultaneously on separate tracks. This makes post-production tasks like editing and effects processing easier.
Audition’s audio restoration tools make it easy to fix damaged or old recordings. To do so, you highlight a portion of the recording that has too much background noise or pops and clicks and use the sound sample tool to analyze the problem area. Once the software learns which noise you want to remove, you apply the tool to the entire track to eliminate every occurrence of it. Audition doesn’t negatively affect the source material when it restores poorly recorded audio.
To use the program, you pay for a monthly, yearly or multiyear subscription. It also comes packaged with Adobe’s Creative Cloud subscription, which is a better deal if you plan to also edit photos or videos. Adobe offers discounts to students and teachers as well as businesses that need multiple licenses.
Pros
-
Great audio restoration tools
-
Multitrack recording
-
Customizable user interface
Cons
-
Subscription
-
Long-term use is expensive
-
Steep learning curve for advanced tools
Best Value
Audacity is free, open source audio editing and recording software with an impressive list of editing and restoration tools. The interface isn’t attractive, but it is easy to navigate.
Audacity’s noise-reduction plugin is a one-click solution for removing unwanted room noise, and it performed well in our tests. The click-removal tool also worked well, but it can drastically alter the source material and make it sound worse, so use it with caution. Luckily, Audacity allows you to preview the edit to adjust the settings before making any destructive changes.
This program works on Macs and PCs and is a light load for your computer. The software crashed a couple times during testing, but that’s normal for free software. It’s compatible with most of the important audio file types, including MP3 and lossless formats like WAV, AIFF and FLAC. Audacity imported our 1.5-hour podcast test segment in less than five seconds, which was faster than most of the for-pay programs we tested.
Pros
-
Free
-
Easy to use
-
Great selection of editing and repair tools
Cons
-
Ugly interface
-
Plugin presets are limited
-
Occasional crashes
Best for Beginners
Acon Digital’s Acoustica audio editing software has an attractive, well-organized user interface. The effects, recording tools and plugins are divided into logical categories in the menu ribbon, which streamlines the post-production process.
Acoustica is one of the most customizable audio editing programs we tested. In addition to the editing window, there is a file browser, an effects chain and a waveform analyzer you can add or remove at your convenience. The program also allows you to customize the toolbar with the editing tools you use most to maximize your workflow.
The software’s noise-reduction, declicker and declipper tools successfully removed unwanted clicks, pops and background noise from a podcast we uploaded. In fact, Acoustica’s tools created some of the best results in our audio restoration test.
Acoustica’s premium version has more advanced restoration tools, but it is four times the price of the standard edition. The standard edition works on Macs and PCs. Since it costs less than $60, the standard edition is also one of the best value audio editing programs we reviewed.
Pros
-
User-friendly interface
-
Affordable
-
Extract audio from popular video formats
Cons
-
No multitrack recording
-
Limited tutorials and product support
Best for Audio Repair
MAGIX Audio Cleaning Lab has a simple user-interface and a great selection of tools for repairing and restoring noisy recordings.
Don’t worry if you have limited experience using audio restoration tools, there are more than 290 one-button presets to get you started. The repair tools in this program are the perfect solution for removing hiss, hums and crackles from poorly recorded audio or digitized vinyl. You can only record and edit one stereo track per session, so consider a different program if you want to record and edit a podcast.
This software has an inviting layout that makes it easy to find tools and speeds up your workflow. There aren’t any hidden windows or tricky menus to navigate, and the restoration tools are clearly labeled. If you plan to digitize a vinyl collection, or repair field recordings, this is a simple, low-cost solution.
Pros
-
Easy and powerful repair tools
Cons
-
Limited recording capabilities
Best for Recording Instruments
Reaper records unlimited amount of audio tracks per session and has a good selection of mixing and mastering plugins.
The layout is easy to navigate and customizable to improve workflow and give you easy access to the tools you use most. It doesn’t have a good selection of repair and restoration tools, but it is compatible with most of the third-party plugin formats. You can also use Reaper to overdub or replace audio tracks from most the popular video formats.
There’s a free 60-day trial without any exporting or editing limitations. If you enjoy the layout and workflow, the full version only costs $60 and includes free updates that continue through the next version.
Pros
-
Studio-quality recording and editing features
Cons
-
Repair and restoration tools are lacking
Why Trust Us
I have 20 years of experience with audio editing software in both a recreational and a professional capacity. My formative years were spent recording voice-overs and producing sound effects as a Foley artist. Many environments were poorly sound-proofed, so I experimented with early versions of audio editing software to create more professional recordings.
As an engineer and producer for a broadcast radio station, I produced hundreds of commercials and advertisements using similar editing software. I also spent two years teaching audio recording and editing at a local university.
My recommendations are based on my impressions of the programs as I edited and restored poorly recorded audio with each one, and I specifically focused on testing features I think are the most useful if you have limited editing experience. I focused my recommendations on the value of each feature and how each program’s interface incorporates those important tools.
How We Tested
We tested and researched programs that are easy enough for novices to use. As we tested, we focused on the applications’ audio restoration (noise reduction) capabilities, editing tools and ease of use – the most important features for podcast production and cleaning up digitized vinyl recordings.
To test noise-reduction capabilities, we uploaded an unedited podcast recording that was laced with hiss, hums and pops. We used all the tools available in each program to edit the track without adversely affecting the sound of the voices.
I talked to Brandon Long, a veteran podcast producer at the Banyan Collective, about the features he uses most as well as his tips and tricks for fledgling podcast enthusiasts. He suggests using audio editing software with multitrack recording capabilities because recording each mic separately saves time in the post-production process and results in a cleaner, more cohesive product.
He also suggests taking a little extra time before you start recording to make sure microphone levels are correct. “If it's a bad recording, it's a bad recording. It can be cleaned up, but it will never sound as good as if it was a clean recording to begin with.” He likens the process to taking a bad photograph and relying on software to fix it, noting, “editing software can only put so much lipstick on the pig.”
He also suggests taking a little extra time before you start recording to make sure microphone levels are correct. “If it's a bad recording, it's a bad recording. It can be cleaned up, but it will never sound as good as if it was a clean recording to begin with.” He likens the process to taking a bad photograph and relying on software to fix it, noting, “editing software can only put so much lipstick on the pig.”